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[…] Stefan Pohlit deserves strongest attention in today’s musical life because, on the one hand, the acoustic impression of his music remains fully independent and unaffected of ephemeral fashions, and, likewise, thanks to the appeal of the audible result with its novel complexity on the basis of a musical concept that stretches beyond the limitations of Occidental concepts of music, scrutinizes, and develops these Occidental concepts in a productive and really original manner, due to its confrontation with foreign sources and its inventive critical analysis of common views of history. […]

Prof. Dr. Rudolf Frisius, 2005